(playwright; born July 4, 1927, the Bronx, New York)
"If Broadway ever erects a monument to the patron saint of laughter,
Neil Simon would have to be it," wrote Time magazine. The movies and
television might consider America's most prolific and popular
playwright a patron saint as well. He has written 28 plays and holds
the record for the greatest number of hits in the American theater. He
has had more plays adapted to film than any other playwright, and
additionally has written nearly a dozen original film comedies. He
helped define television comedy during the medium's legendary early
days. In the theater, at the movies, and at home he has kept America
laughing for more than 40 years and has been rewarded with four Tony
Awards, two Emmys, a Screen Writers Guild Award, and a Pulitzer Prize.
What's his secret? The Concise Oxford Companion to American Theatre
explains: "He is a shrewd observer of human foibles and a master of
the one-line gag." Emanuel Azenberg, his long-time producer, simply
suggests, "He genuinely loves the act of writing." <P>
Marvin Neil Simon grew up in Washington Heights, a product of a
marriage that saw its share of turbulence. After graduating from
public school, he enlisted in the Army and began his career writing
for an Army camp newspaper. A week later, armistice was declared.
After discharge, he returned to New York and became a mailroom clerk
for Warner Brothers' East Coast office. Soon he was writing comedy
revues with his brother Danny in the Poconos, then for radio,
providing material for the likes of Tallulah Bankhead, and finally,
for television, where he helped make Phil Silvers, Jackie Gleason, Red
Buttons, Garry Moore, Sid Caesar, and Imogene Coca funny. <P>
Caesar and Coca, of course, were the stars of "Your Show of Shows,"
the nation's weekly variety show addiction from 1950-54, where Simon
and his brother toiled alongside fellow budding talents Woody Allen,
Mel Brooks, and Larry Gelbart. But the theater was his destiny and it
was there that he and his brother continued their partnership,
contributing sketches to a couple of Broadway musicals in the
mid-fifties. Eventually he broke out on his own and, after countless
drafts, completed a comedy about two brothers who don't want to take
over their father's fruit business. Come Blow Your Horn (1961) racked
up 677 performances on Broadway and hinted at a promising career. Two
years later, Barefoot in the Park fulfilled the promise and launched a
legend. <P>
Throughout the '60s and '70s, Simon would turn out hit after hit for
the stage and screen, most of them depicting life in and about New
York City -- Manhattan, Brighton Beach, Yonkers, Riverside Drive,
Second Avenue, Central Park West. Think of the Simon canon -- The Odd
Couple (1965), Sweet Charity (1966), Plaza Suite (1968), The Out of
Towners (1970), Promises, Promises (1968), The Prisoner of Second
Avenue (1971), The Goodbye Girl (1993), Chapter Two (1977) -- and you
get a clear, sharp, and very funny picture of the people crazy and
lucky enough to call New York home. <P>
In the '80s Simon produced his landmark autobiographical trilogy --
Brighton Beach Memoirs (1983), Biloxi Blues (1985), and Broadway Bound
(1986), which chronicled his stormy childhood, Army days, and entry
into show business. Now Simon was not only getting the laughs, he was
also getting the awards. He crowned this streak with Lost in Yonkers,
which won the Pulitzer Price in 1991. Perhaps the secret to Simon's
success is his ability, brilliantly displayed in those four plays but
evident from the very beginning, to show us -- between, in, and around
the funny lines -- the pain, aspiration, and sheer panic behind all
those unforgettable characters. <P>
Currently his newest play, London Suite, is a hit -- naturally -- in
New York. And the city which has figured so prominently in his life
and work has honored him by making him the only living playwright for
whom a Broadway theater is named.