The story line is a comedy classic: a crooked producer and his anxiety ridden accountant cook up a scheme to present a massive train wreck of a theatrical fiasco and pocket their investors money before the curtain falls. Musical numbers include: I Want to Be a Producer and Springtime for Hitler. With clever songs and belly laughs from the mind of Mel Brooks.
| Carmen Ghia.... | Matthew Maddalena |
| Franz Leibkind.... | Jack Pignatello |
| Leo Bloom.... | Scott Baird |
| Max Bialystock.... |
Randy Hertzog
|
| Roger De Bris.... | Brett Louis Petersen |
| Ulla.... | Jill Cappuccino |
| Ensemble.... | Kate Ascolese |
| Ensemble.... | Ross Brown |
| Ensemble.... | Meredith Constant |
| Ensemble.... | Robert Dickerson |
| Ensemble.... | Olivia Evans |
| Ensemble.... | Emma Fulton |
| Ensemble.... | Julie Gallup |
| Ensemble.... | Theo Lowrey |
| Ensemble.... | Anthony J. Minutillo |
| Ensemble.... | Lauren Santarelli |
| Ensemble.... | Robert Scarpone |
| Ensemble.... | Autumn Wheelock |
| Ensemble.... |
Tanya Wheelock
|
| Directed by | Lynda Scionti |
| Assistant Directed by | Brian Vetter |
| Choreography by | Dorothy DelGuercio |
| Dance Captain by | Kate Ascolese |
| Costume Design by | Mark Carovale |
| Production Support by | Theo Lowrey |
| Lighting Design by | Mark Carovale |
| Stage Managed by | Jared Forsythe |
| Assistant Stage Managed by | Stephanie Bianchini |
| Musical Direction by | Jeff Prescott |
| Set Designed by | Nola Young |
| Light Operation by | Luke Kostuchik |
| Properties by |
Linda Conover
|